Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Monday, November 07, 2022

The Sweep Spot Ep. #346 - Disneyland Musician and Band Leader Kurt Curtis

Kurt Curtis, a Disneyland musician for almost 40 years, chats about playing live music at the Disneyland Resort, starting with the Make Believe Brass for the 1983 New Fantasyland!

The Sweep Spot is a podcast focusing on the Disneyland Resort, now weekly, with a Topical Episode every two weeks, alternating with a Current Events Episode the other weeks.
Lynn Barron and Ken Pellman, former Disneyland Day Custodial Foremen, are your hosts. Once per month, you can join a live chat as we record Current Events episodes by joining the Patreon for The Sweep Spot..
For more information and to order books, visit our official website: 
http://www.TheSweepSpot.com

There are many easy and free ways to listen to The Sweep Spot in addition to clicking below.

Monday, March 07, 2022

My Ranking of "Weird Al" Albums

I decided it was really important to rank the studio albums of "Weird Al" Yankovic, my favorite performance artist. 

Rather than counting them down, I'll just get right to it. I'll give some explanation and caveats after the list.

1. Poodle Hat
2. Bad Hair Day/Mandatory Fun (tie)
4. Polka Party
5. Even Worse
6. Alpocalypse
7. In 3-D
8. Running With Scissors
9. UHF
10. Dare To Be Stupid
11. Off The Deep End
12. Weird Al Yankovic (debut)
13. Alapalooza
14. Straight Out of Lynwood

It's not a surprise to me that Poodle Hat was number 1. I love every song on that album. What did surprise me is that I ranked SOL lower than Alapalooza, which I had, until now, figured was my least favorite. Both Poodle Hat and Polka Party were less appreciated albums by critics and music buyers, but Polka Party is number 4 on my list. I'm not sure what this says about me.

Monday, June 21, 2021

The Sweep Spot Mini Ep. # 22 - Disneyland Drummer Jimmy Ford

In this mini episode of The Sweep Spot podcast, Lynn talks with drummer Jimmy Ford. Jimmy has been playing drums at Disneyland since 1997. Enjoy this conversation, and learn about Disneyland music, and Jazz in general.

Listen to our full episodes with Ken and Lynn, plus other guests every other week. For more info on their books, and podcast go to www.thesweepspot.com





Thursday, July 28, 2011

Has Marriage Changed "Weird Al" Yankovic’s Music?

I’ve been a fan of "Weird Al" Yankovic (WAY) for almost my whole life. And being the obsessively analytical guy that I am, I have analyzed his music many ways. His Al-bums typically have a polka-arrangement medley of recent hit songs (interesting how funny the actual lyrics of "serious" songs can be, especially with the WAY treatment) and the rest of the songs are an even balance of direct parodies of hits and original compositions by Yankovic, though often meticulously done the style of a famous musical act.

Some common themes of Al's lyrics, either for the direct parodies or the originals, have been...

television (and now emerging communications technologies),
food/eating,
...and...
dating/love/attraction/relationships.

I perceive that there has been a change in that last theme since Al finally got married (to a very lovely woman) and became Daddy to a girl.

Recently (7/25/2011), the Grammy Museum hosted Yankovic for an interview, followed by Q & A, and my wife and I were blessed to attend. Although this wasn't the usual WAY public event (concert or al-bum signing), the typical Al crowd, albeit only 200 of us, was there: people of very shape, size, color, age, style, and I'd guess religion, too. I wanted to ask him a question I haven't heard him answer before, and I think I succeeded in asking him something he hadn't even considered before – whether or not he perceived a change in his lyrics since marrying.

At first, Al thought maybe I was accusing him of going soft, because he mentioned that he's always been fairly family-friendly. But that wasn't what I was talking about.

Here's what I perceive. Sometimes the female characters in his songs were the ones who were dysfunctional or horrible people, and sometimes the males were. Since getting married, it has only been the males.

Let's go chronologically through the relevant songs...

Al-bum: "Weird Al" Yankovic

Song: "Such a Groovy Guy"
The song is about a guy who thinks he's all that, and he treats women like crap.


Al-bum: "Weird Al" Yankovic in 3-D

Songs: None relevant.


Al-bum: Dare to be Stupid

Song: "One More Minute"
About all of the painful/irritating things he would rather do than spend one more minute with the woman who has dumped him.

Song: "Girls Just Want to Have Lunch"
Women want nothing other than men to treat them to lunch.


Al-bum: Polka Party!

Song: "Good Enough for Now"
He tells her that he's not all that into her, but he'll use her for now.


Al-bum: Even Worse

Song: "Melanie"
He's a delusional, rejected, suicidal peeping Tom and stalker.

Song: "Alimony"
She's taken everything and is bleeding him dry.


Al-bum: UHF – Original Motion Picture Soundtrack and Other Stuff

Song: "She Drives Like Crazy"
She's a very, very bad driver.


Al-bum: Off the Deep End

Song: "I Was Only Kidding"
His professions of commitment and love were lies, and he rubs it in her face, mocking her.

Song: "Airline Amy"
He's delusional and thinks he has a relationship with a flight attendant because she's doing her job.

Song: "You Don't Love Me Anymore"
Despite her repeated attempts to kill him, he thinks she loves him.


Al-bum: Alapalooza

Song: "She Never Told Me She Was a Mime"
He was clueless about how annoying she was.


Al-bum: Bad Hair Day

Song: "Since You’ve Been Gone"
He is miserable... but it was worse with her.

Song: "I'm So Sick Of You"
She's repulsive and annoying and clueless.


Al-bum: Running With Scissors

Song: "My Baby's in Love with Eddie Vedder"
His girlfriend/wife is obsessed with an unobtainable other man.


THEN....***Al got married.***


Al-bum: Poodle Hat

Song: "Wanna B Ur Lovr"
He offers a series of horribly lame and tacky pick-up lines.


Al-bum: Straight Outta Lynwood

Song: "Confessions Part III"
He forgets her name, is an unhygenics, disgusting liar who confesses to cheating and making a child with his "skank".

Song: "Close but No Cigar"
He doesn't think any woman in the world good enough for him, so he stupidly rejects women who are both highly attractive and intelligent women.

Song: "Do I Creep You Out"
He's an obsessed stalker.


Al-bum: Alpocalypse

Song: "If That Isn't Love"
He's self-centered, inconsiderate, clueless, but thinks he's helpful and loving.


Bad Hair Day is my ultimate example, as there are two songs strongly and clearly about lousy women and none about the man being bad. Dare to be Stupid is a close second, but Bad Hair Day is much stronger in this regard. Other songs that depict the female partner in a negative light are: "Alimony", "She Drives Like Crazy" (and there’s no counterbalance on UHF), and "My Baby's in Love with Eddie Vedder".

Contrast Bad Hair Day with Straight Outta Lynwood, which has three songs about the male partner being horrible, but, none about a female partner. It is noteworthy that he gives tribute to his daughter on the cover.

Now, the anomalies or exceptions would be the first, eponymous Al-bum, and Polka Party!, each of which have the one song about the bad male with none about a bad female. Off the Deep End has two bad male songs to the one bad female song, but the bad female in that song is homicidal.

I consider "She Never Told Me She Was a Mime", the one love song on Alapalooza, a wash.

Notice that since he married, there hasn't been a single song on any of his three Al-bums in which the woman has a problem; only the male.

This could be because when Al was a longtime bachelor, he (and his buddies) dealt with a lot of bad dates or difficult women, and that changed when he married. Now, the woman he loves has probably told him about some of the horrible dates and men she dealt with over the years. And as a father to a daughter, he's no doubt thought of what social scene his daughter is facing in the future.

Fortunately, WAY's songs as funnier than ever.

If anyone wants to pay me to lecture about subjects like this, I'm definitely open to making money.

 There I am, with Mrs. Yankovic.

Friday, March 09, 2007

American Idol is NOT a Signing Competition

Yes, I watch American Idol. My wife got me hooked. Really.

We hear over and over again from the judges that Americal Idol "is a singing competition."

It isn't. If it was, it would be on the radio. Instead, it is on television, a visual medium. Once it gets to the stage where the viewers are voting, it is a contest to see who can inspire, by whatever means, enough people to vote repeatedly for them. In addition to singing, the voters clearly take into account appearance, personality, background, stage presence, genre preference, and possibly some other factors.

What if someone was a really, really good singer, but just stood there at the mic, not moving and not even looking into the camera, had a huge, crooked nose and bad teeth, and came across as arrogant in the interviews? Would that person win? I rest my case.